Eyes, Come Back! — an informal exchange with Setareh Shahbazi

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Photo shared by lydia plinke on January 25, 2026 tagging @sonialenajoy, @benno.hauswaldt, @setareh__shahbazi, and @astahbkbs. May be a graphic of magazine, poster, newspaper and text that says "ASTA*s CHOICE SETAREH SETAREHSHAHBAZI SHAHBAZI Eyes, COT back! ein informeller Austausch mit Setareh Shahbazi _Die deutsche Grammatik vor. dass ,das Wissen sächlich und singular zu verstehen sei und deutet neutralen Kanon runterscheidon Kann richtig falsch Menschen mehrfacher Zugehörigkeiten, Sehnsüchten oluralen Erfahrungshorizonten kennen mehr das:s das; verkörpem und leben die Wissen unterschiedlicher Situationen und Zusammenhänge." Nina Tabassomi zur gemeinsam kuratierten Ausstellung „Die Wissen", 2023 Schwerpunkt des Gesprächs sind Gedanken zu Deutschungshoheiten und der Fähigkeit des $Perspektivenwechsels,z Dislokation Transformatior und Verwandlung, zu Blickrichtungen, Uberwachung, Widerstand und dringend notwendigen Alternativen bestehenden, aber nicht mehr zeitgemäßen Systemen.".
· – · Mogi / hbk Braunschweig
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Conversation on diasporic experiences, migration, adaptation, surveillance, resistance, and artistic alternatives.

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  • *** Join us for our next session this Wednesday *** EN: Eyes, Come Back! — an informal exchange with Setareh Shahbazi The conversation will take shape around thoughts on diasporic experiences, migration, adaptation and des-/integration, surveillance, resistance, censorship and an urgent need for creative and artistic loopholes and alternatives on the margin of existing systems. * Setareh Shahbazi compiles and transforms micronarratives through observations, collaborations, visual notes and found photographs. With a playful irreverence to the sanctity of a photograph as a mirror of reality, she drains details out of images found in private collections, public archives, social media and daily newsfeeds. In trying to make sense of their broken narratives, their im-/possible translations into different contexts, temporalities and languages, she is constantly shifting perspectives to allow her observations to come together in a fictional afterlife. Shahbazi studied Scenography and Media Art in Karlsruhe around the turn of the Millennium. In 2003 she moved to Beirut in with a daad research grant to work with the archive of the Arab Image Foundation. She spent the following 10 years living and working between Beirut, Tehran and Berlin, where she has been based since 2013. *** 17:15-18:45 @Mogi, hbk Braunschweig

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